Add "Hip Hop Highlights" to My Music Add "Hip Hop . Nuthin' But A 'G' Thang feat. Snoop Dogg" to My Music Add. The Real Slim Shady" to My. Andre Romelle Young (born February 18, 1964), known as Dr. Dre is an American rapper, record producer, and entrepreneur. A member Ice Cube for the song Natural Born Killaz in 1995. Dre said he was going to release a new album: Detox. He has had many records and songs throughout the years and is one of the most famous producers in hip-hop. Dre was also in movies such as Set It Off, and the 2001 movies The Wash and Training Day. Dre, half his old nickname, and half his first name, also calling himself as the Master of Mixology. Dre produced some songs on the soundtracks for the films Above the Rim and Murder Was the Case. For the film Friday, Dre recorded Keep Their Heads Ringin', which reached No.10 in the charts. The album has been being made since 2004 and was to be released in 2005. He has made albums for many rappers through their careers, including Snoop Dogg, Eminem, 50 Cent and The Game. Dre is ranked as the third richest rapper by Forbes and is worth two-hundred & fifty million dollars ($250,000,000). with Eazy-E, Ice Cube, MC Ren, and DJ Yella which made the use of swear words in rap songs in rap to tell about the violence of street life popular. Because he liked Grandmaster Flash, he often went to a club called The Eve After Dark to see a lot of DJs and rappers performing live. He later joined the musical group World Class Wreckin' Cru in 1984. In 1995, just as Death Row Records signed 2Pac, Young left the label because of a contract dispute and he was worried that Suge Knight wasn't doing things legally. Dre won an award for Producer of the Year, in 2000, and joined the Up in Smoke Tour with Eminem, Snoop Dogg, and Ice Cube. After loads of delays, the album was to be released in 2010. Snoop Dogg said the album was finished in 2008 but it still wasn't released. At the beginning of 2009, Dre was in the song "Crack a Bottle" by Eminem & 50 Cent. Dre began his career in music as a member of the World Class Wreckin' Cru and he later found fame with the gangsta rap group N. During the 2000s, he produced music for other artists, while sometimes rapping with other artists' on their songs. Dre signed Eminem to his Aftermath record label in 1998 and 50 Cent in 2003 helping to make their albums with them. He then became a DJ in the club, at first under the name "Dr. The group would become stars of the electro-hop scene that was really popular in early 1980s West Coast hip hop, and their first hit Surgery would feature Dr. Knight, a known strongman, was able to have Eazy-E release Dre from his contract and, start Death Row Records. Dre brought a new style of rap, both in terms of style and words. Dre was the eighth best-selling musical artist, The Chronic was the sixth best-selling album, and Nuthin' but a 'G' Thang (the first single from the album) as the 11th best-selling single. In 1996, he made his own label, Aftermath Entertainment, with Interscope Records. Dre Presents the Aftermath, released in 1996, with songs by new Aftermath Entertainment rappers. Dre produced three songs and sung with him on two of them on Eminem's first album The Slim Shady LP. Dre's second album, 2001, released in 1999, was his return to gangsta rap. Producers confirmed to be working on the album are DJ Khalil, Nottz, Bernard "Focus" Edwards Jr., Hi-Tek, J. In a Dr Pepper advert in 2009, he played a small clip from Detox. The first two singles, "Kush" and "I Need a Doctor", were released in 20. Dre on the turntables and sell 50,000 tapes within Compton. Dre's earliest songs were released in 1994 on a CD called Concrete Roots. A favoured themes and explicit lyrics, offering real descriptions of violent, inner-city streets. Dre produced and performed for much of the group's second album Efil4Zaggin (Niggas for life). In 1991, at a party in Hollywood, he slapped Dee Barnes of the TV show Pump it Up, feeling upset about a news report she did about the feud between them and Ice Cube. Dre was fined $2,500 and given two years' probation and 240 hours of community service, as well as a spot on an anti-violence public service announcement on television. In 1992 Dre released his first single with Snoop Dogg; Deep Cover. The Chronic became really popular and had lots of big singles. Death Row then suffered poor sales in 1997, after the death of 2Pac. Been There, Done That, was saying that he was bored of gangsta rap. My Name Is, the first single from the album, made Eminem famous. It was at first called The Chronic 2000 as a sequel to his first album The Chronic, but was changed to 2001 after Death Row released an unrelated album called Chronic 2000: Still Smokin in 1999. 50 Cent and Eminem said in an interview with BET that Dr. Kush has become a hit in the America and I Need a Doctor peaked at Number Four in the charts. Proof" shirt (proof was a rapper who died, he was also a friend of Dre, Eminem & 50 Cent). He was a diver in high school, but because he skipped school a lot, he was kicked off the team. A and fellow West Coast rapper Ice-T are normally said to be the creators of gangsta rap. With the hit Fuck tha Police, the group's first full album Straight Outta Compton became a big hit, despite almost no radio airplay or concerts. He also produced tracks for other rap acts on Ruthless Records, including The D. After an argument with Eazy-E over money, Dre left the group in 1991 under the advice of a friend, The D. Its sound was really popular with hip hop music for the early 1990s. Despite selling a lot of copies of the album, it was not very popular among music fans. The album has also been called by fans 'The Chronic 2001' and 'The Chronic 2'. The American Society of Composers, Authors and Publishers will honour Dr. The crowd the chanted "DEEE-TOX," to which he replied, "I'm coming! After high school, he went to Chester Adult School in Compton because his mother told him to get a job or go back to school. Dre, made songs for Ruthless Records, a rap record label run by local rapper Eazy-E. The FBI sent Eazy-E a letter for the song's content. In October 1996, Dre rapped Been There, Done That on popular American TV show, Saturday Night Live. The album featured a lot of guests, including Devin the Dude, Hittman, Snoop Dogg, Xzibit, Nate Dogg and Eminem. Dre with its Founders Award for inspiring other musicians. Dre said that an album of just music called The Planets is in its first stages of production; each song being named after a planet. Dre showed support to long time friend Eminem, and appeared at his and Jay-Z's Tour, performing songs Still D. E., Nuthin' but a 'G' Thang, and Crack a Bottle, with Eminem & 50 Cent. " As if to say the album's release is not that long away. Dre was featured on the cover of a magazine in a 2011 issue. After going to a broadcasting school for a little bit, he moved to his father's house, and then his grandparents house before going back to his mother's house. Despite the mixed reception to his label's album, Dr. The album was really good, charting at number two and has since sold millions of copies. After Detox he will be one of the producers of Tionne "T-Boz" Watkins' album Still Cool. Dre was on two No.1 singles in the charts in 1996, they were California Love by 2Pac and No Diggity by Blackstreet. In 2012 Dre was announced to headline at a music festival called the Coachella Valley Music and Arts Festival taking place the weekends of April 13–15 and April 20–22 which featured a holographic 2Pac.
The Official Charts Company Home of the Official UK Top Charts. [The Sugarhill Gang - Rapper's Delight]I said a hip hop the hippie the hippie To the hip hip hop, a you don't stop The rock it to the bang bang boogie say up jumped the boogie To the rhythm of the boogie, the beat Now what you hear is not a test–i'm rappin to the beat And me, the groove, And my friends are gonna try to move your feet[Run–D. Nimble what nimble and he was quick But Jam Master cut faster Jack's on Jay's[Beastie Boys - Paul Revere]Now here's a little story I've got to tell About three bad brothers you know so well It started way back in history With Adrock, M. Dre is at the door[Jimmy Fallon]double p double g double d you see[Justin Timberlake]wow[2pac - California Love]California Love[NOTORIOUS B. G - Juicy]It was all a dream I used to read Word Up magazine Salt'n'Pepa and Heavy D up in the limousine Hangin' pictures on my wall Every Saturday Rap Attack, Mr. )…My name is…Slim Shady[Missy Elliott - Work It]Is it worth it, let me work it I put my thing down, flip it and reverse it I put my thing down, flip it and reverse it[Soulja boy - Crank]Soulja boy off in this hoe Watch me crank it Watch me roll Watch me crank that soulja boy Then super man that hoe Now watch me you(crank that soulja boy)Now watch me you...(crank that soulja boy)Now watch me you..(crank that soulja boy)Now watch me you(crank that soulja boy)[Rihanna - Live Your LIfe]Miya hee, miya ho, miya hu, miya ha ha So live your life(Hey, ayy, ayy, ayy)You steady chasin' that paper[Kanye West - Gold Digger]She take my money when I'm in need. - Peter Piper - 1986 Album Raising Hell]Now Peter Piper picked peppers but Run rocked rhymes Humpty Dumpty fell down that's his hard time Jack B. We on Award Tour with Muhammad my man Goin each and every place with the mic in their hand[The Humpty Dance - Digital Underground]The Humpty Dance is your chance to do the hump Do me baby Do the Humpty Hump, Watch me do the Humpty Hump[Snoop Dogg - Aint Nutt'n But G Thang]One two three and to the four Snoop doggy dogg and dr. Magic, Marley Marl[THE ROOTS - "The Seed (2.0)"]I push my seed in her bush for life It's gonna work because I'm pushin' it right If Mary dropped my baby girl tonight I would name her Rock'N'Roll[Eminem - The Slim Shady LP]Hi! Yea she's a triflin' friend indeed[Justin Timberlake]She certainly is. Oh she's a gold digger way over town That dig's on me[Empire State of Mind - Jay-Z feat. Alicia Keys]Yea I'm out that Brooklyn, now I'm down in Tri Be Caright next to De Niro, but I'll be hood forever Statue of Liberty, long live the World Trade Long live the King yo, I'm from the Empire State that's Everybody sing it Everybody sing it New York, concrete jungle where dreams are made of There's nothin' you can't do Now you're in New York New York New York New York[The Sugarhill Gang - Rapper's Delight]I said a hip hop the hippie the hippie To the hip hip hop, a you dont stop[Jimmy Fallon]Justin Timberlake, The Roots we will be right back.
Statistical Techniques Statistical Mechanics , made him an overnight sensation and got as much attention from the media as he did from Moral Guardians who were practically having heart attacks at the idea of this guy possibly controlling the innocent youth through his rhymes. If is his inner psyche on the hardest alcohol you can imagine. This album took all of the demented insanity of its predecessor and cranked it Up to 11, while mishmashing it with a personal and introspective account of Em's reaction and coping with his sudden, newfound fame. Darker fantasies, more disturbing parts of his childhood, and more venomous responses to critics were all implemented on the album. The album was released to even more critical and commercial success than , with critics hailing it to this day as one of the greatest and most important albums of all time, let alone in the hip-hop genre. It gave Em his second consecutive Grammy Award win for Best Rap Album as well as a nomination for Album of the Year. It also sold more than 1.76 million copies in America in , solidifying it as the fastest-selling studio album by any American solo artist in history. The album later went on to be certified Diamond in 2011 for selling 10 million copies in America, and it went on to sell a grand total of 32 million copies around the world (by 2012). It is 's 244th greatest album of all time, and was included in Time Magazine's 2006 list of 100 timeless and essential albums. Keeping with tradition, the album garnered even more controversy than its predecessor with its Darker and Edgier approach to Em's life. Many people, including Dick Cheney's wife, of all people, were up in arms about Em's lyrics. This caused a significant amount of protesting and debating, which only seemed to propel the album's fame further.
What's up everybody. I'm DarkChild, the bad boy of I'm a really fun loving person and easy to get along with so don't be afraid to ask me anything. Once again featuring the support of the famed physician Dr. Young, Eminem opted to give his new fans more of the same ridiculous bullshit spit in a catchy rhyme form, all while mixing in more personal stories from his past and his newly-rich present. As most rappers tend to do, he also intended to use his sophomore effort as a springboard for his weed carriers D-12, which is a little bit ironic, since that group formed sold over 1.7 million copies in its first week (you read that right), and went on to win numerous awards including Best Rap Album at the Grammys, which obviously means that this album was better than released in the year 2000. As such, Eminem just became mush richer and much more successful, and he would eventually run out of things to rhyme about, choosing instead to align himself with his weed carriers and one Curtis Jackson, and leaving old friend Royce Da 5'9" in the dust, which is too bad, since the two of them would have worked well off of each other during the course of their respective careers. PUBLIC SERVICE ANNOUNCEMENT 2000Well, at least this intro is .3. STAN (FEAT DIDO)It doesn't help that I, like most of America, had never heard Dido's "Thank You" in its entirety until after I heard "Stan". I remember repeating this song at least twenty times the day of have sounded like. It actually would have made more sense to have the song where Eminem talks about his shocking success as the first song on the sophomore LP, but that's just me; maybe I make too much sense sometimes.6. STEVE BERMAN (SKIT)Serves as a pretty good lead-in for the next song, but that's the only positive trait it has.7. THE WAY I AMThe best part of this song may be at the very beginning, where Marshall tries to dedicate the song to a group of like-minded fans, but gives up midway through: "This song is for anyone..it, shut up and listen". But it's still a good song today (I can do without the remix with Marilyn Manson on the hook, not because I hate Manson, but because the remix is bad), and the video was decent enough, from what I can recall.8. I just listened to this song, so that way my two readers never have to listen to it now. (My guess would have to be that the video probably helped, although all I remember of that clip is the color yellow, and I'm not bothered enough to start hunting for it on Youtube.)9. (FEAT RBX & STICKY FINGAZ)A discarded track from Dr. Dre's original , you'll find that Sticky Fingaz and RBX were both scheduled to appear on the original version of that seminal disc. At least that story makes sense: in 2000, didn't you kind of wonder why fucking RBX and Sticky Fingaz would actually on an Eminem album? Anyway, this song sounds incredibly awkward, and should only be listened to as a curiosity piece.10. I'M BACKYou know, instead of using these fourth-rate Dr. Dre prescriptions, Marshall should really branch out and look to other producers to see if he can perfect his sound. Hopefully he actually does this on future album releases, and doesn't just decide to produce all of the songs himself, as he seems to be prone to do.11. MARSHALL MATHERSI've never been a fan of the songs where Eminem feels the need to sing the chorus, with very few exceptions. The drums aren't strong enough to carry this song (for , he couldn't get a Dre beat? ), but the lyrics, albeit censored, are pretty great.12. KEN KANIFF (SKIT)These skits got old real quick, especially since the original rapper that performed as Ken Kaniff, Aristotle, had beef with Eminem and Em took it upon himself to resurrect the dumb-ass character himself.13. DRUG BALLAD (FEAT DINA RAE)Completely out of place, but I understand that Marshall was just following the same formula as the debut album, so on that note I forgive him, since it's not like I ever have to listen to this monstrosity ever again or anything.14. AMITYVILLE (FEAT BIZARRE)I have to know: does anyone actually sit around thinking "Eminem is okay, but you know that guy Bizarre? " If you're that guy, feel free to show yourself in the comments. You just there has to be someone in the world like that.15. DRE, SNOOP DOGG, NATE DOGG, & XZIBIT)Almost practically the same comment as "Remember Me? "; I can't think of any reasonable excuse why Snoop, Nate, and Xzibit would appear on an Eminem album, although this song may be more of an example of Andre asking Snoop for a co-sign, and Snoop needing to appear on what was sure to be a multi-platinum selling disc to keep his career viable. Anyway, the original song, known as "B Please" on the back of Snoop's solo album better; this song would be okay, but Eminem's style doesn't truly fit the theme of the song, as it's obvious that Em is a better rapper than everyone else on the track thanks to his wordy delivery. Side note: I just read that Nate Dogg had a stroke and is now partially paralyzed. My best wishes go out to Nate and his family, especially since I always liked Nate, ever since the Death Row days.16. KIMShortly after the release of , a song called "Bitch So Wrong" popped up on random blogs, describing in clear and incredibly disturbing detail the events that led up to the first album's "'97 Bonnie & Clyde" (also known as "Just The Two Of Us", for fans). UNDER THE INFLUENCE (FEAT D-12)The hook to this song is godawful, but that's not the point. Truth be told, the unmastered leak sounds a lot scarier than this song, if only because the references to "a four year old boy laying dead with a slit throat" sound much creepier when they're, I don't know, . The intent of "Under The Influence" is to introduce Eminem's weed carriers to the masses, and on that note he succeeds, if only because all six members of D-12 appear on this song. Well, some of them don't completely suck, but this song renders everyone except Eminem completely indistinguishable from the other; I guess we'll just have to wait until the D-12 write-ups start for further commentary.18. CRIMINALAn excuse to spit the most vile, homophobic shit (in the first verse) that he can think of, under the pretense that he's just playing a character named Slim Shady. Drew the wrath of GLAAD, for good reason, although if you make it past the first verse and the goofy robbery skit included mid-song, you'll understand the point that Marshall was trying to make, although he failed miserably at it. However, the beats are, for the most part, much better, and ever since the success of the debut album, Marshall obviously has more life experience to draw upon here, so he seizes the opportunity to exorcise his personal demons on wax, to mostly good effect. A lot of critics hold questionable inclusions on this album. Let's be honest here: this album sold a gazillion copies, so chances are you probably already own this album anyway. For the three people in the world that don't have this somewhere in their collection, you may as well pick it up, since you'll find it for three bucks used, and Eminem proves himself to be a lyrical aficionado, even on the songs with horrible beats.
Lyrics of AINT NO FUN IF THE HOMIES CANT HAVE NONE by Dr. Dre feat. Warren G, Nate Dogg, Snoop Dogg and. One for the money, two for the bitches Three to get. Now more than three decades old as a recorded medium, hip-hop is deeply embedded in popular culture – to the point where its stars seem not only larger than life but also, as Rick Ross once put it, "deeper than rap." But even as they sell out arenas and top the pop charts, rappers still court the respect and esteem of their hip-hop peers. In that spirit, just as we did in June with the Queen of Pop, we've crunched a pile of data to try to determine who is the current King of Hip-Hop. We're not looking for the all-time greatest, although many of our contenders would vie for that crown. Some of them have only been recording a couple of years; others have been in the game since the 1990s. But that's what makes hip-hop exciting – it's plausible for someone who was watching cartoons when Jay-Z dropped his debut album to emerge as a contender for the title. As with our Queen of Pop tally, in naming the King of Hip-Hop we focused on the very recent past: from 2009 through the first seven months of 2011. We ranked 20 solo rappers (no groups – sorry, Beasties) who have dropped an album during that time. We looked at album sales, rankings on the R&B/hip-hop and rap charts, You Tube views, social media, concert grosses, industry awards and critics' ratings. In alphabetical order, our contenders are: Big Boi, B.o. B, Diddy, Drake, Eminem, Fabolous, Lupe Fiasco, Gucci Mane, Jay-Z, Kid Cudi, Lil Wayne, Ludacris, Nicki Minaj, Pitbull, Rick Ross, Snoop Dogg, T. All of our contenders are men except for Minaj, who reappears from our Queen of Pop survey. We like to think of "King" as a gender-neutral term, and the fact is that Minaj has earned the right to compete in this arena. It would feel strange to leave her out – as a rapper, she's had a world-beating couple of years, with a chart-topping album, block-rocking singles and a slew of killer guest appearances. Frankly, she deserves to be called a hip-hop king just for her giant-killing appearance on West's hit "Monster," in which she crushed West and fellow guests Rick Ross and Jay-Z with one blow. Fans of the rappers, and the acts themselves, take these sorts of rankings pretty seriously. (We learned that firsthand in the comments section of Queens of Pop.) We stand by our data, but of course we know that no King of Hip-Hop index can capture swagger or flow – if it could, the all-time title might go to Q-Tip or Rakim. As you'll see, it turned out to be a fairly exciting contest. Our top overall contenders were pretty evenly matched, with five different rappers leading at least one tally each. Let's start with the tally that comes with the biggest bragging rights: album sales. ALBUM SALESWere we saying something about a close contest? Not on the album tally, where comeback king Eminem takes the top slot by an absurd margin. Thanks to his two latest chart-topping albums, 2009's , the man otherwise known as Slim Shady sold more than two and a half times the number of albums as the second-ranked Lil Wayne during our survey period. More than half of Eminem's 7.5 million in sales were taken by was the best-selling album, period, of 2010. One-fourth of those albums sold digitally, making it the first album in history to sell more than a million non-physical copies, a mark it crossed just last month. Despite losing the Album of the Year Grammy in an upset to Arcade Fire, had a monster: the Rihanna-supported ballad "Love the Way You Lie," which topped the Hot 100 for two months last year and probably fueled more soccer-mom album purchases for Shady than at any time in his career. came out in 2008, before the start of our survey period. He's sold another 750,000 copies of that blockbuster from 2009 to now. An even bigger handicap might have been Weezy's eight-month prison sentence in 2010–11, but he managed to release two discs in 2010 before going to prison, and both had strong numbers: about 750,000 for the rock-rap hybrid . All this is besides his numerous mixtape releases, which have sold tens of thousands. The guy is nothing if not prolific (just wait until we get to the songs tally). Unlike Weezy, most of the acts in our survey only managed one album release during our two-and-a-half-year survey period. Jay-Z's third-place showing was mostly the result of his two million-selling 2009 smash 200 over his career, Jay holds the title of the most chart-topping albums among solo acts, rappers or otherwise; and he is second among all artists, behind only the Beatles (who have 20 Number One discs, so Jay's got a way to go there). Among acts lower down in the tally, respect should be accorded to Rick Ross, who only placed eighth but has been a model of album-chart consistency in his five-year career. All four of the big man's albums have debuted in the BILLBOARD' S R&B/HIP-HOP AND RAP SONGS CHARTSIf you were one of our more conspiracy-minded commenters, you might complain that we picked the 2009 start date for our survey so Drake would win. We didn't, but it's true that nobody benefits more from our survey period than Aubrey Graham, the Canadian teen-soap star who took America's charts by storm starting in 2009 after transforming into a single-named rapper. For an art form that once prized street credibility, preferably from one of a handful of American cities, hip-hop has embraced the clean-cut Drake remarkably quickly. His role on had barely ended when he began contributing tracks to mixtapes by mentor Lil Wayne's Young Money crew. Thanks perhaps to Weezy's Good Hip-Hopping seal of approval, a slew of major rap figures lined up to record with Drake: of the 19 other acts in our survey, almost half – from Jay-Z to Eminem to T. to Diddy – have released tracks fronted or backed by him. Thanks in large part to all of those appearances, Drake leads, by a comfortable margin, our tally of 's two urban-radio-oriented charts. They are the Hot R&B/Hip-Hop Songs chart, which, under various names (e.g., Hot Soul Singles, Hot Black Singles), has existed for half a century; and Hot Rap Songs, which dates to the end of the 1980s, back when Flavor Flav was still known as a rapper. Drake has visited the penthouse of these two charts more than anyone else during the last three years. You might think that his tendency to sing rather than rap on many of his hits would make him more popular on the R&B chart, but he is actually bigger on Rap Songs: Drake reached Number One four times as a lead artist there, with "Best I Ever Had," "Forever," "Over" and "Fancy"; and five more times as a guest on tracks by Timbaland, Lil Wayne, Rick Ross, Nicki Minaj and DJ Khaled. On the R&B chart, "Best" went to Number One, and Drake backed up five other records that rang the bell, including jams by Trey Songz and Jamie Foxx. While we're discussing guest recordings, a technical note: Across all of the King of Hip-Hop tallies, we award partial credit to rappers' featured performances. It would be unfair not to – guest verses have been a staple of rap hits since the music's inception, and nowadays tracks without backup are the exception, not the rule. When assigning points for the R&B/Hip-Hop and Rap charts, we gave full credit to a lead performance and one-third credit for a featured performance; the number of guests on rap tracks generally ranges between one and four, and so dividing the points by three seemed like a reasonable average. On both surveys, we awarded points based on each song's peak position and its total weeks charted. We're showing the tallies for the R&B/Hip-Hop and Rap tallies side-by-side, since the results have a lot in common, including an identical top two (Drake and Lil Wayne). But there are some major differences as you get further down. For example, you wouldn't expect gruff Southern rapper Gucci Mane to do so much better on the R&B list, where he places third, than on the Rap tally, where he misses the top 10 entirely. The secret of Gucci's R&B radio success: volume – like Drake, he gets around as a guest star. Gucci has backed up romantic crooners including Omarion, Mario and Jagged Edge, and 17 such appearances have made's R&B/Hip-Hop chart, dwarfing his 10 lead appearances. But most of those guest appearances don't help him much on Billboard's Rap Songs, which is a smaller chart (25 positions) and leaves out a lot of records that make the lower rungs of the 100-position R&B/Hip-Hop list. To make Rap Songs, your hit really has to be booming from cars everywhere – this chart tends to reward big lead performances over guest spots. Gucci's not alone on the skewed lead-to-featured ratio: half of our contenders made more appearances on the R&B/Hip-Hop chart as featured performers than as leads. For some, the ratio is almost even – Nicki Minaj started her career largely as a supporting rapper but is catching up on the lead side, with nine charting singles under her own name versus 10 as a featured performer. (This explains her better performance on the Rap Songs tally, where her big hits as a lead, like "Moment 4 Life" and "Super Bass," help her place third overall.) At the other extreme, promiscuous guest star Lil Wayne has scored only eight lead R&B chart performances since 2009, versus 29 supporting performances during the same span. (One imagines Weezy driving from studio to studio like Michael Mc Donald, ready to drop 32 bars for friends.) Hot 100, including Jennifer Lopez's "On the Floor" featuring Pitbull, Katy Perry's "E. T." featuring Kanye West, and Jay-Z's team-up with Alicia Keys, "Empire State of Mind." (As for that 10th video, "Price Tag" by Jessie J featuring B.o. B., it topped the pop chart in Britain.)Only one of these nine-figure-viewers is a video from a rapper by himself – one who's neither supporting a singer nor being supported by one. That would be Eminem, who goes it alone on his 2010 hit "Not Afraid," the video of which has been watched 257 million times. Perhaps it is appropriate, then, that Eminem leads our You Tube tally – again, as with his albums lead, by a massive margin. Mathers are double those of perpetual runner-up Lil Wayne. Almost half of those views come from just two clips: the aforementioned "Not Afraid," and (of course) "Love the Way You Lie." That Rihanna-supported clip has been watched 360 million times, the most of any lead performance by any of our rappers. That is not the most-watched video any of our contenders appears in, however. Crushing Em and Ri is the video for "Baby" by Justin Bieber featuring Ludacris, which has been viewed an astounding 589 million times, the most of any video in You Tube history. (That view count was as of two weeks ago, when we collected our numbers; as of this writing it's cruising toward 600 million.) As with our R&B/Hip-Hop and Rap Songs tallies, we give one-third credit for supporting performances on You Tube, which helps explain Luda's placement in the top four of this survey. Laugh at Chris Bridges and his squeaky-clean Bieber verse all you want, but most rappers probably envy him. The mere fact that Ludacris is in a King of Hip-Hop survey in 2011, and does respectably on most of our tallies, is a testament to an unflashy but consistently productive career. More than a decade after he presciently titled his debut album , Luda keeps coming back, acting in acclaimed movies, consistently releasing chart-topping albums (during our survey period, not a particularly big one for him, he shifted just under a million discs) and dropping verses for a range of R&B stars. Just since 2009, he's appeared in the R&B Top 10 three times on his own – including the Number 2 hit "My Chick Bad" with fellow contender Nicki Minaj – and three more times backing up singers Ciara, Chris Brown and Le Toya. As for our You Tube tally, back out that Bieber blockbuster and all his other featured credits, and Luda would still have 192 million views, a total big enough to to put him just outside the top 10 by itself. Whether on the big or small screens, people like watching this guy. Lo's "On the Floor" gives him a big boost, as that clip has been viewed more than 300 million times; but his own summer 2011 Hot 100 chart-topper "Give Me Everything" has been watched nearly 75 million times, as well. B., his team-up with Paramore's Hayley Williams on "Airplanes" has been seen 136 million times, followed by his pairing with Bruno Mars on the soul ballad "Nothin' on You," with 80 million viewings – and, as the credited lead performer on both tracks, B.o. While we're focused on the visual, let's turn our attention to the live stage, where our perpetual runner-up takes a commanding lead. In keeping with the You Tube pop theme, the rappers in our survey who lean toward the Top 40 side of the dial do better on this tally than any other, particularly Latin club-rapper Pitbull and pop-rap teamer-upper B.o. Related• The 30 Best Albums of 2010: Eminem's ' Recovery' TOURINGGive Lil Wayne and Jay-Z credit – they have cracked the code when it comes to live hip-hop. Rap has long been a tough sell on the concert stage thanks to skittish promoters, weak stagecraft and indifferent audiences (save for the occasional touring festival like Rock the Bells, rock-oriented rap acts like the Beastie Boys or certain one-off shows by superstars). Only in the last half-decade, as hip-hop enters middle age, have rap tours begun to draw grosses comparable to and competitive with road-warrior rock acts. For the past few years, Lil Wayne has been the biggest draw on the road among rappers, putting together eclectic packages that appeal to the full spectrum of his fan base. Supporting acts have ranged from T-Pain to Keyshia Cole to Gym Class Heroes, making the whole of a Weezy tour greater than the sum of its parts. Wayne's $51 million total gross since 2009 includes dates from his I Am Music tour (which kicked off in 2008, in the wake of 's blockbuster sales) and America's Most Wanted tours, which together played to some 724,000 fans across 68 concerts. Scarcity, perhaps, has also helped – Weezy's incarceration in late 2010 probably made his return to the stage in 2011 hotly anticipated, and a new tour with Rick Ross has been selling briskly. Coming in second on our live tally, Jay-Z offers, in essence, the other model of hip-hop touring success: rapper as self-assured Chairman of the Board (Frank Sinatra allusion fully intended). A decade and a half into his career, Jigga has an enviable catalog of rap classics worthy of a two-hour showcase. And while his shows regularly draw impressive support acts such as Mary J. Blige, Jay has the authority to headline showcases as large as Coachella or Britain's Glastonbury festival on his own. The tour made Jay 2010's top hip-hop concert draw and one of the biggest acts on the road, period. When he does share the spotlight, it's with a fellow superstar. His four shows in 2010 with Eminem, two each in Detroit and New York, reportedly grossed $15 million by themselves. And the forthcoming head-to-head tour by Jay-Z and Kanye West following the release of their joint album promises to be a blockbuster. For our contenders who have served as opening acts, we've apportioned one-fourth credit, which in a couple of cases provides a solid boost. Nicki Minaj has just started headlining gigs on her own, but as an opener for Britney Spears and Lil Wayne she has played for thousands of people. Drake and Rick Ross have also opened for Wayne, and the former's participation in the blockbuster America's Most Wanted jaunt gives him a large lift in our tally (Ross has only started touring with Wayne this summer, so his grosses are smaller). Rookies like Minaj and Drake have made lots of new friends on the road as openers, setting themselves up to headline their own tours. Slim Shady's command of Facebook is particularly eye-popping – nearly 44 million fans have "liked" him there, placing him not only 14 million fans ahead of Lil Wayne but also a couple of million ahead of such pop figures as Rihanna (43 million) and Lady Gaga (42 million). In fact, among actual humans, Em is more "liked" than anyone; across all of Facebook the only things given the thumbs-up more than him are Texas Hold'em Poker and Facebook itself. On Twitter, Eminem's lead among rappers is slimmer – his five million followers top those of his "Roman's Revenge" duet partner Nicki Minaj by only 600,000 or so. And for a public figure and a musician, it must be said his following is strong but not especially remarkable – Gaga and Justin Bieber passed 10 million followers several months ago, and Em is also soundly beaten by such pop starlets as Britney Spears, Katy Perry and Shakira. Perhaps verbally acute rappers are too hemmed in by the limits of a 140-character tweet – a length better suited for the latest thoughts by pop acts servicing their armies of young fans. To become a competitive tweeter, it helps to have a well-defined, larger-than-life persona: Diddy and Snoop, two veteran rappers who have built reputations far beyond their status as MCs, have the third- and fourth-highest numbers of Twitter followers, respectively. The act perhaps best known for spewing pithy thoughts is world-class tweeter Kanye West, who ranks fifth among rappers in Twitter followers (eighth overall in our Social tally). So (in)famous are Ye's shoot-from-the-hip, frequently all-CAPS tweets that whole comedy sketches have revolved around them. It's actually kind of surprising Kanye doesn't rank higher – although it's conceivable that another million or two of former Twitter followers got fed up with his loquaciousness and dropped him. Before Kanye gets insulted and tweets about this, let's give a toast to him by looking at where the critics place him among his peers. Related• The 500 Greatest Albums of All Time: Eminem's ' The Eminem Show' five-star discs – should top our critical acclaim ranking, which combines our ratings with career album ratings by Metacritic. In the history of hip-hop, only West has produced a body of work at this level of all-killer-no-filler acclamation. didn't live long enough to extend his two-album streak of greatness; and even West's mentor Jay-Z has a couple of low-rated discs among his string of classics. Public Enemy followed their years of awesomeness with several late-career duds; the Notorious B. In "Pazz and Jop," the 's "classic" rating upon release, again unprecedented among rap discs. West's high-rated albums have also been top-sellers, but other acts with a more limited commercial presence benefit even more from our critics' tally. Coming in second is a rapper who, with his old group, reached heights of both acclaim and sales few rappers enjoy, but as a solo act is starting virtually from scratch – Out Kast's Antwan "Big Boi" Patton. He's released only one solo album, but it was a gem: 2010's Toward the bottom of this tally, Fabolous has long been more popular on the radio than with critics, while the more pop-leaning rappers, such as B.o. Somewhat more surprising is the placement for Snoop Dogg, who falls third from the bottom. His career average has been hurt by the sheer volume of albums he's released – usually one every year or two, many of them middling in quality. Before we close out, let's look at one last measure of acclaim: awards. Related• The 30 Best Albums of 2010: Kanye West's ' My Beautiful Dark Twisted Fantasy' AWARDSMaybe Jay-Z really is, as he claims, rap's Frank Sinatra – among our contenders he's the biggest award-winner, not unlike Ol' Blue Eyes in the early days of the Grammys. In fact, Jigga has collected a statuette at almost all of the shows we tracked. Our awards ranking totals up the contenders' wins since 2009 at the American Music, Billboard, BET, Grammy, MTV and Soul Train awards. We gave bonus points for nominations at the Grammys and – because of their importance to the hip-hop community, especially after the demise of the Source Awards – BET's two awards shows (BET Music and BET Hip-Hop); we also gave extra credit for Grammy and BET wins. Jay's dominance is largely fueled by his Grammy and BET omnipresence. Even if he hadn't taken home a single statue at these shows, his 16 Grammy nods and 23 BET nods would put him near the top; he earns the title thanks to his seven Grammy and nine BET wins, plus a handful of AMA and MTV wins. No act has been more nominated by the Grammys than Jay-Z since 2009, but Eminem came close, with 13 nods, many in higher-profile categories like Album and Song of the Year – categories that eluded Jigga. At the two BET awards shows, Jay has the most wins but not the most nominations; Drake, with 26, and Lil Wayne, with 25, each saw their names listed more times collectively. Of the smaller awards-givers, the Billboard Awards provide the biggest boost to a single act: 15 wins for Eminem, a sweep fueled by the chart dominance of his 2010 album and singles. Additionally, Shady's three wins at the MTV Video Music Awards are the largest haul at that show by any of our contenders. With his dominant album sales, You Tube views and social-media scores, Eminem takes the title as the current King of Hip-Hop. Unlike our Queen of Pop ranking, which Lady Gaga took in a walk, Marshall Mathers's win was somewhat closer – note the fairly tight point range among our top three. If third-place Drake's commanding lead on the song charts had been even more dominant (which is hard to imagine), he could well have taken the title – a massive upset considering the brevity of his rap career. As it is, Drake's strong finish, more than 200 points above now-veteran Kanye West, is a testament to his current omnipresence. With his second album due later this year, he's got a shot at stealing the title by 2012. Speaking of omnipresence, Lil Wayne takes second place through sheer work ethic, thanks to a constant stream of releases that even prison couldn't slow. His regular appearance in our runner-up slot – he made Number Two in albums, songs, the online rankings and awards – made him the runner-up overall, and his staggering live grosses almost put him over. If we'd done this survey just one year ago and included data from 2008, Weezy would have taken the title, without a doubt. But again, timing is everything: Sure, if we'd done a similar three-year survey of rappers back in 2002 or 2005, Eminem would have won, probably. But as recently as three years ago, Eminem winning a survey like this was unthinkable; his nearly half-decade hiatus from recording made any comeback unlikely, let alone one in which he took back the charts as if he'd never left. In the year to come, Drake is surely the performer to watch. But so are our fourth- and fifth-ranked contenders, who, in a Voltron-like act of power consolidation, may be about to lay waste to our top three. If Kanye's and Jay-Z's is as big a release as expected – not just this week, but deep into the fall, followed by a world-beating tour – next year at this time those two friends and veterans may be yanking the crown off Slim Shady's head. Related• The 100 Greatest Artists of All Time: Eminem• Life on Planet Wayne: Rolling Stone's 2009 Lil Wayne Cover Story• Lil Wayne: A History in Photos• The 30 Best Albums of 2010: Drake's ' Thank Me Later'• Photos: Kanye West's Career Highs - And Lows• The 30 Best Albums of 2010: Kanye West's ' My Beautiful Dark Twisted Fantasy'• The 500 Greatest Albums of All Time: Jay-Z's ' The Blueprint'• The 30 Best Albums of 2010: Rick Ross' ' Teflon Don'• What Does Gucci Mane's Ice Cream Cone Tattoo Mean? • Diddy Brings Nostalgia Back to New York• The Hottest Breakout Stars of 2011: Wiz Khalifa• The 50 Best Songs of 2010: B.o B.
Bitch Please Part II Eminem. Slim Shady, Dr. Dre, Snoop Dogg, the X to the Z, Nate Dogg Come on yeah. Session One Feat. Slaughterhouse Sex; Shady, Aftermath, There she goes, shaking that ass on the floor Bumpin and grindin' that pole The way she’s grindin that pole I think I’m losing control Get buzzed, get drunk, get crunked, get f*****cked up Hit the strip club don’t forget ones get your d**k rubbed Get f*cked, get sucked, get wasted, sh*t faceted Pasted, blasted, puke drink up, get a new drink Hit the bathroom sink, throwup Wipe your shoe clean, got a routine Goin’still got a few chunks on them shoestring showin I was dehydrated till the beat vibrated I was revibed as soon as this b*t*h gyrated Them hips and licked them lips and that was it I had to get Nate Dogg here to sing some shit Two to the one from the one to the three I like good pussy and I like good trees Smoke so much weed you wouldn’t believe And I get more ass than a toilet seat Three to the one from the one to the three I met a bad bitch last night in the D Let me tell you how I made her leave with me Conversation and Hennessey I’ve been to the muthafuckin mountain top Heard muthafuckers talk, seen 'em drop If I ain’t got a weapon I’ma pick up a rock And when I bust yo' ass I’m gon' continue to rock Getcha ass off the wall with your two left feet It’s real easy just follow the beat Don’t let that fine girl pass you by Look real close cause strobe lights lie We bout to have a party (turn the music up) Let’s get it started (Go 'head shake your butt) I’m lookin for a girl with a body and a sexy strut Wanna get it poppin baby step right up Some girls they act retarded Some girls are bout it bout it I’m lookin for a girl that will do whatever the fuck I say everday she be givin it up Now, Shake that ass for me, shake that ass for me Come on girl, shake that ass for me, shake that ass for me awww girl, shake that ass for me, shake that ass for me Come on girl, shake that ass for me, shake that ass for me I’m a menace, a dentist, an oral hygentist Open your mouth for about four or five minutes Take a little bit of this fluoride rinise' Swish but don’t spit it, swallow and I’ll finish Yeah me and Nate d-o double g Looking for a couple bitches with some double d’s Pop a little champagne and a couple E’s Slip it in her bubbuly, we finna gunna have a party Have a party (turn the music up) Let’s get it started (Go head shake your butt) I’m lookin for a girl I can fuck in my hummer truck Apple Bottom jeans and a big ol slut Some girls they act retarded Some girls are bout it bout it I want a bitch that sit at the crib with no panties on Knows that she can but she won’t say no Now look at this lady all in front of me, sexy as can be Tonight I want a SLUT, would you be mine? I heard you was freaky from a friend of mine Now I hope you don’t get mad at me But I told Nate you was a freak He said he wants a SLUT, hope you don’t mind I told him how you like it from behind Shake that ass for me, shake that ass for me Cmon girl, shake that ass for me, shake that ass for me Ohh girl, shake that ass for me, shake that ass for me Cmon girl, shake that ass for me, shake that ass for me We bout' to have a party (turn the music up) Let’s get it started (go ahead shake your butt) I’m lookin for a girl with a body and a sexy strut Wanna get it poppin baby step right up Some girls they act retarded Some girls are bout it bout it I’m lookin for a girl that will do whatever the fuck I say everday she be givin it up There she goes, shaking that ass on the floor Bumpin and grindin that pole The way she’s grindin that pole I think I’m losing control God, I ain’t leavin' without you bitch Coming Home With Me And my boy, and his boy, and his boy, and his girl Haha, Nate Dogg!
Eminem was born Marshall Bruce Mathers III in St. Joseph, Missouri, to Deborah R. Nelson and Marshall Bruce Mathers, Jr. who were in a band together, Daddy Warbucks. Kaleo - Way Down We Go | Aerosmith - Crazy | Aerosmith - I Don't Want to Miss a Thing | Aerosmith - Walk This Way | Aerosmith - Cryin' | Pink Floyd - Shine On You Crazy Diamond (Part I-V) | Владимир Высоцкий - Шторм | Passenger - Let Her Go | Но ГГано - Много денег не бывает (QP) | Hammali & Navai - Ты Моя Химия | Imagine Dragons - Whatever It Takes | The Eagles - Hotel California | The Doors - 20th Century Fox | P. Оля Чернышова) (Bonus Track) | Мальбэк - Равнодушие (Feat. - Youth Of The Nation | AC/DC - Highway to Hell | Aerosmith - Don't Want to Miss a Thing | Skillet - Monster | Дидюля - Путь Домой | Rey Salinero - Realm Of Manifestation | Владимир Сорокин - Возвращаюся С Работы | Kevin Whalum, Maysa - There's Nothing Better Than Love | Но ГГано - Не путай | Ярма К - Твої Сни (feat.
Discover Dr. Dre feat. Snoop Doggy Dogg. which added three stepsisters and one. and the success of The Slim Shady LP – it reached number two on the. Diese Diskografie ist eine Übersicht über die musikalischen Werke des US-amerikanischen Rappers und Musikproduzenten Dr. Er veröffentlichte bislang drei Studioalben, einen Soundtrack, sechs Kompilationen und 39 Singles. Deep Cover • Nuthin’ but a 'G' Thang • Fuck wit Dre Day • Let Me Ride • Natural Born Killaz • Keep Their Heads Ringin' • Been There, Done That • Zoom • Still D.
Marshall Bruce Mathers III born October , , known professionally as Eminem often stylized as EMINƎM, is an American rapper, songwriter, record producer. (performer: "I Need a Doctor", "Love the Way You Lie') / (performer: "Lighters", "Fast Lane" - as Bad Meets Evil) / (writer: "Lighters", "I Need a Doctor", "Fast Lane") - Lighters (2011) ... (performer: "Lighters", "Fast Lane" - as Bad Meets Evil) / (performer: "Without Me", "The Real Slim Shady", "The Way I Am", "Role Model", "Just Lose It", "We Made You", "Not Afraid", "Writer's Block", "I Need a Doctor") / (writer: "Lighters", "Without Me", "The Real Slim Shady", "The Way I Am", "Role Model", "Just Lose It", "We Made You", "Not Afraid", "Writer's Block", "Fast Lane", "I Need a Doctor") - Eminem and the Punisher #1 (2011) ... (performer: "Guilty Conscience", "Like Toy Soldiers", "Role Model", "White America") / (writer: "Guilty Conscience", "Like Toy Soldiers", "Role Model", "White America") Something from Nothing: The Art of Rap (Documentary) (performer: "Lose Yourself", "Bad Guys Always Die", "The Real Slim Shady", "Forgot About Dre", "What's The Difference") / (writer: "Lose Yourself", "Bad Guys Always Die", "The Real Slim Shady", "Forgot About Dre", "What's The Difference" - as Marshall Mathers) Eminem: Live from New York City (TV Movie documentary) (performer: "Evil Deeds", "Mosh", "Business", "Rain Man", "Ass Like That", "Puke", "Kill You", "Like Toy Soldiers", "Lodi Dodi", "Just A Friend", "Nuthin But A G Thing", "My Name Is", "Git Up", "How Come", "Rock Star" (Bizarre), "40oz", "My Band", "Stan", "The Way I Am", "Just Don't Give A F**k", "Got Some Teeth", "Stay 'Bout It", "The Set Up", "Like Dat", "Cleaning Out My Closet", "Mockingbird", "Just Lose It", "Lose Yourself") It was an honour to hear the words out of Dre's mouth that he liked my shit. Growing up, I was one of the biggest fans of NWA, from putting on the sunglasses and looking in the mirror and lipsinking, to wanting to be Dr.
Ases del rap #Snoop, Slim Shady #Eminem, Dr. Notorious B. on one of four covers for our. Snoop Dogg one of my great inspirations for what he has overcome. One two three and to the four snoop doggy dogg and Dr. Dre is at the door ready to make an entrance so back on up (dre)cause you know we bout to rip shit up. (snoop) Give me the microphone first so i can bust like a bubble compton and long beach togetha now you know you in trouble aint nuthin but a G than baby, two loced out niggaz goin crazy, death row is the label that pays me unfadeable so please don't try to fade this (dre) hell yeah but a back to the lecture at hand perfection is perfected so I'ma let em understand from young G's perspective and before me dig on a bitch I have to find a contreceptive you neva know she could be earn'n her man and learn'n her man and at the same time burn'n her man now you know i aint with that shit liutenant aint no pussy good enough to get burnt while i'm up in it (Yeah) and thats realer than real deal holyfield and now you hookaz and hoes know how i feel well if it's good enough to give her off a proper chunk i take a small piece of some of that funky stuff. It's like this and like that and like this and uh It's like that and like this and like that and uh It's like this and like that and like this and uh Dre creep to the mic like a phantom Well im peep'n and i'm creep'n and i'm creep-in but i damn near got caught cause my beeper kept beep'n now it's time for me to make my impression felt so sit back relax and strap on your seat belt you never been on a ride like this befo with a producer who can rap and control the mistro at the same time with the dope rhyme that i kick, you know and i know i flow some old funky shit to add to my collection the selection symbolizes dope take a toke but don't choke if you do you have no clue about what me and my homie snoop dogg came to do It's like this and like that and like this and uh It's like that and like this and like that and uh it's like this then who gives a fuck about those so just chill to the next episode Fallin back on that ass with a hellafied gangsta lean gettin funky on the mic like an old batch of collard greens its the capital S oh yes i'm fresh N double O P D-O double G why D-O double G ya see showin much flex when it's time to wreck a mic pimp'n hoes and clock'n a grip like my name was Dolomite yeah and it don't quit i think they in the mood for some mutha fuckin G shit (dre)hell yeah (snoop)so Dre (dre)what up dogg (snoop)gotta give them what want (dre)whats that G (snoop)gotta break em off somethin (dre)hell yeah (snoop)and it's gotta be bumpin city of compton This is where it take place so un-ass attention mobbin like a mutha fucka but i aint lynchin droppin the funky shit thats makin the sucka niggaz mumble when i'm on the mic it's like a cookie they all crumble try to get close and your ass will get smacked my mutha fuckin homie doggy dogg has got my back never let me slip cause if i slip then i'm slipp'n but if i got my nina then you know i'm straight trippin and i'ma continue to put the rap down put the mack down and if you bitches talk shit i have to put the smack down yeah and ya don't stop i told you i'm just like a clock when i tick and i tock but i'm never off always on till the break of dawn C-O-M-P-T-O-N and the city they call Long beach puttin that shit togetha like my nigga D.
Check out The Slim Shady LP Explicit. Snoop Dogg . One of my favorites records from Eminem of all time ! 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The Slim Shady EP. Eminem. . escapin. One, two, three, four The scratches of a dark night The rashes of foresight And I wanted you. Snoop Dogg Presents. EMINEM THE MARSHALL MATHERS Will the real Slim Shady please stand up? On Eminem's sophomore album, he can't decide who he wants to be: the deranged pseudo-psycho of the Slim Shady LP, or a nice guy who just likes to rhyme about slicing and dicing his girlfriend ("Kim"). He refuses to take responsibility for the misogynistic, homophobic bile he spews, whining that he's the victim of people who don't get his unique sense of humor. It's good old America's fault if the kids aren't alright (Eminem blames bad parenting), and he's just capitalizing on Uncle Sam's dark side. On the Marshall Mathers LP, he's ambivalent about his fame, angry at his life, pissed off that people take him seriously, and fightin' mad at boy bands--and a lot of other white people. But the blue-eyed brat is acutely aware of his status as rap's resident alien: he has the most offensive mouth running, but never uses the "N" word. He gives lyrical love to tragic (black) legends like Tupac and Biggie while dissing white rappers hard. Even sitting duck Puffy gets the kid-gloves treatment. Of course, Eminem is an interesting, witty rapper, and there's some nice production on this CD, courtesy of Dr. But the hatred in Eminem's rhymes makes the album rotten at its core. And his protests that Slim Shady is just a persona become less convincing with each arrest. Then again, Eminem's got it hard: he's rich, famous, white, and male.
History Of Rap Part . One two three and to the four Snoop doggy dogg and is at the door. Slim Shady Missy Elliott. X-Mix Essential Megamixes 1-20Bitrate: MP3 | 192 Kbps Genre: Sampler Size: 2010 MBHoster: Uploaded.net; Passwort: Executioner666Trackliste: Vol.01CD 96 Rewind House Medley Pt.1Los Del Rio / Men Without Hats Macarena / Safety Dance New Years Eve DJ Toolkit Auld Lang Syne With 60 Second Countdown The House Anthems Collective: Crystal Waters Gypsy Woman Raze Break For Love Work It This Is Acid CLS Good Life Nightcrawlers Push The Feeling On80s Mobile Madness Part 2: Tone Loc feat. Owner Of A Lonely Heart Salt N Pepa Push It Nice & Wild Diamond Girl CD 2: Rock-N-Roll Flashback Medley Part 2Cajun Club Mix: Gloria Estefan Conga Buster Poindexter Hot Hot Hot C&C Music Factory Megamix (Tribute To David Cole)Latin House Of X Robi Robs Boriqua Anthem Megamix Rock-N-Roll Flashback Medley Part 11995 Rewind House Medley Vol.02The 1997 Year End Dance Collective: Jamiroquai Alright Datt Punk Around The World White Town Your Woman3rd Party Can You Feel It Faithless Salva Mea & Insomnia Spice Girls Wannabe Gina G Ooh Ahh Just A Little Bit Aqua Barbie Girl The Essential Disco Megamix: Patrice Rushen Forget Me Nots Evelyn Champagne King Love Come Down Mc Fadden & Whitehead Aint No Stoppin Us Now S. Timberland & Magoo Still Not A Player Lord Tariq & Peter Gunz Deja Vu (Uptown Baby)Wyclef Jean Gone Till November Pras feat. Eve Love Is Blind Aaliyah Try Again Torrey Carter Take That Dr. Snoop Dog The Next Episode Da Brat What Chu Like Eminem The Real Slim Shady DJ Domingos Glowsti X Megamix: Junior Sanchez B With UPowerhouse & Duane Harden What U Need Veronica Someone To Hold Kim English Unspeakable Joy Hani vs. Band Take Your Time Taste Of Honey Boogie Oogie Oogie GQ Disco Nights Dazz Band Let It Whip The Big 80s Altematve Megamix: Baltimora Tarzan Boy Bananarama Cruel Summer Animotion Obsession Frankie Goes to Hollywood Relax Wang Chung Everybody Wang Chung Tonight Duran Duran Hungry Like The Wolf Toni Basil Mickey A-Ha Take On Me General Public Tenderness Mobile Madness Disco Medley: S. Fyne Romeo & Juliet Destinys Child No, No, No Mark Morrison Return Of The Mack Ice Cube We Be Clubbin Big Pun feat. DMX Come Back In One Piece The Urban X-Press Megamix: Missy Elliot Hot Boyz Black Rob Whoa! Band Take Your Time D-Train Youre The One For Me Michael Jackson Dont Stop Til You Get Enough The Gap Band You Dropped A Bomb On Me Rock-N-Roll Flashback Mix: AC/DC You Shook Me All Night Long Kiss Rock & Roll All Night Vol.03Roonie Gs Urban Megamix Vol 2: Mase What You Want Next Too Close Sylk E. Bob Marley Rainbow Country Christina Aquilera What A Girl Wants Amber Above The Clouds Eiffel 65 Move Your Body Sonique It Feels Good Alice Dee Jay Better Off Alone Aaliyah feat. Rock-N-Roll Flashback Medley Part 2: ZZ Top Give Me Some LovinZZ Top Sharp Dressed Man AC/DC You Shook Me All Night Long Rolling Stones Brown Sugar John Mellancamp Hurt So Good B. Blige Im A Hustla Terror Squad Lean Back Daddy Yankee Gasolina50 Cent Candy Shop Rihanna Pon De Replay Brooke Valentine Girlfight Wild Bills 2005 Urban X-Periment: Baby Bash & Akon Baby Im Back Mario Let Me Love You Will Smith Switch Rupee Tempted To Touch Gwen Stefani Hollaback Girl Usher Caught Up Ciara 1,2 Step Missy Elliot Lose Control Destinys Child Lose My Breath Big Citys R&B Mashups Megamix: Alicia Keys Karma vs. ODB & Mya Ghetto Superstar Refugee Camp All-Stars Avenues Mase Feels So Good Foxy Brown Big Bad Mama Will Smith Gettin Jiggy Wit It Salt-N-Pepa Gitty Up Urban X-Perience Part 1: Lauryn Hill Lost Ones MC Lyte I Cant Make A Mistake Tatyana Ali Day Dreaming Shaggy feat. Floyd Lunatic Guiseppe D Amadeus 2000Eclips Funkin R&B Megamix: Intro Starpoint Object Of My Desire Sharon Brown I Specialize In Love Evelyn Champagne King I Dont Know If Its Right Cameo Word Up Tom Browne Funkin For Jamaica The 80s New Wave Megamix: Vol.07DJ Domingos 2000 Year End Megamix DJ Dupis Modem X-Press Megamix DJ Sergs Mixshow Megamix Roonie Gs Urban Hits 2k Megamix Daves Up All Night Megamix Vol.08The Old School R&B Megamix: Jackson 5 I Want You Back James Brown Sex Machine Aretha Franklin Respect Disco Nights Megamix: Kool & The Gang Celebration Donna Summer Hot Stuff Anita Ward Ring My Bell The 70s Time Warp Megamix: Steppenwolf Magic Carpet Ride Bob Segar Old Time Rock-N-Roll Rolling Stones Satisfaction BTO Takin Care Of Business The 80 s Party Rock Megamix: The B-52s Love Shack Billy Idol Mony Mony The Knack My Sharona Romantics What I Like About You The Drink & Sing-Along Megamix: Van Morrison Brown Eyed Girl Otis Day & The Knights Shout The Beatles Twist & Shout Vol.09A Tribe Called Quest - Scenario (x Mix)Black Sheep - Choice Is Yours (x Mix)Cypress Hill - Kill A Man (x Mix)Ice Cube - Check Yo Self (x Mix)Ll Cool J - Mama Said Knock You Out (x Mix)Naughty By Nature - Uptown Anthem (x Mix)Redman - Time 4 Sum Aksion (x Mix)Run Dmc - Walk This Way (x Mix)Various Artists - Dancehall Devestation Pt5 (x Mix)Various Artists - Dj Serge Urban 2001 Mix (x Mix)Various Artists - Urban Xpress Megamix (x Mix)Vol.10Various Artists - Dj Redlight Rockin 80S Megamix (x Mix)Various Artists - Dj Serg Classic Rock Megamix (x Mix)Various Artists - Dj Serg Extended Jive Bunny Megamix (x Mix)Various Artists - Modern Rock Megamix (x Mix)Various Artists - Rock 'n' Roll Flashback Medley (x Mix)Vol.11Donnie Bs Trance-lfield 80 s Pop Megamix: gemixt von Donnie Bennett Eddie Grant Electric Avenue DJ X feat. Corey Hart Sunglasses At Night 2002Mad house Like A Prayer Hi-Speed Tainted Love Kim Carnes Bette Davis Eyes Mr. Janet Luv Me, Luv Me Inner Circle Not About Romance Old School Hip Hop Megamix: Fat Boys Fat Boys Whodini Friends Eric B. Mister Broken Wings Jan Wayne & Lena Total Eclipse Of The Heart DJ Sammy feat. Band Just Be Good To Me One Way Cutie Pie Tom Tom Club Genius Of Love Grand Master Flash & The Furious Five The Message Parliament Flashlight Sugarhill Gang Rappers Delight Chic Good Times The Ultimate 80 s Club Hits Megamix Part 1: gemixt von Donnie Bennett Keith Sweat Want Her Jody Watley Dont You Want Me Janet Jackson The Pleasure Principle Lisa Lisa & Cult Jam I Wonder If I Take You Home Madonna Holiday Redlights House-Of-Elvis Megamix: gemixt von DJ Redlight Elvis Burning Love Elvis Viva Las Vegas Elvis All Shook Up Club Classics Disco-House Preview: gemixt von Ryan Foley Michael Jackson Billie Jean Mary Jane Girls In My House Bee Gees You Should Be Dancing Brothers Johnson Stomp Donna Summer Heaven Knows Tavares Heaven Must Be Missing An Angel Heatwave Groovline Cheryl Lynn Star Love Vol.12DJ Redlights Mobile Party Megamix: The Commodores Brick House Wild Cherry Play That Funky Music Cheryl Lynn Got To Be Real Sister Sledge We Are Family The 90 s Power Hits Megamix: Montell Jordan This Is How We Do It Wrecks-N-Effect Rumpshaker Digital Underground The Humpty Dance Snap! 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Party Your Body Outro Vol.06DJ Dupis Satellite Megamix: Pink There You Go Funkstar Deluxe vs. Takin Care of Business Billy Idol Mony, Mony X-Tremely Dangerous Modem Rock Megamix: The Verve Bitter Sweet Symphony Semisonic Closing Time Everything Hooch Beastie Boys Intergalactic Garbage Push It Swirl 360 Hey Now Now Crystal Method Coming Back Fatboy Slim The Rockafella Skank DJ Dupis Modem X-Press Megamix: Barenaked Ladies Pinch Me Vast Free(Hed) Planet Earth Bartender Fatboy Slim Ya Mama3 Doors Down Kryptonite Third Eye Blind Never Let You Go Duponts Alternative Club Megamix: Limp Bizkit Nookie Smash Mouth All Star Sugar Ray Someday Len Steal My Sunshine Vol.14DJ Sergs Urban Rewind Megamix: J-Kwon Tipsy Snoop Dogg Drop It Like Its Hot Cassidy & Mary J. Roxanne Slick Rick Mona Lisa Sugar Hill Gang 8th Wonder Run D. Taxi Gang Foundation Diana King L-L-L-Lies Vol.04The 1998 Year End Clubworld Megamix Sergios Latin X-Press Megamix Euro-Pop Classics Megamix The X-Tremely Dangerous Modem Rock Megamix The Kings Of Swing Megamix Vol.05DJ Chaos Diskafunk Megamix: Space Raiders (I Need The) Disko Dokter Phats & Small Tum Around Victor Victorious & Mister Shiff Bustin Loose The Groove Lab Funky The Disco Ball Megamix: Diana Ross Upside Down The Whispers The Beat Goes On Gloria Gaynor I Will Survive Chic Le Freak Donna Summer Heaven Knows Roonie Gs Urban X Megamix: Jermaine Dupri Money Aint A Thang Lauryn Hill Doo Wop (That Thing)Shaggy feat. Peter Piper DJ Sergs Dancehall Devestation: Prento Kid Many Many Gal Beenie Man Who Am ISpragga Benz Strong Performer Mad Cobra Pet Pamper Beenie Man feat. Crooklyn Clan Handz Up Crooklyn Clan Ladyz Fatman Scoop feat. Yanou & Do Heavent He Kr Us H c Re At Or S b Ac K-i N-t He-Day b Uf Fe T: gemixt von Donnie Bennett & Joey Tavares Yarborough & Peoples Don t Stop The Music S. The Power Rob Base & DJ E-Z Rock Joy & Pain C&C Music Factory Gonna Make You Sweat (Everybody Dance Now)The Electric Slide & Glide Megamix: Marcia Griffiths Electric Boogie Four Seasons December 1963 (Oh What A Night)Bee Gees Stayin Alive Christina Aguilera, Mya & Pink Lady Marmalade Donnie B s Electric Boogie (Break Dance) Megamix: Afrika Bambaataa & The Soul Sonic Force RUN-DMCNewcleus Melle Mel & The Furious Five Man Parrish Herbie Hancock Strafe Hashim Jonzun Crew Planet Patrol Cybotron Awesome Foursome Midnight Star Kraftwerk The Kings Of Swing Megamix: Cherry Poppin Daddies Zoot Suit Riot Swingerhead Pick Up The Phone Brian Setzer Orchestra Jump, Jive & Wail Big Bad Voodoo Daddy You, Me & The Bottle Makes Three Big Bad Voodoo Daddy Jumpin Jack Vol.13Rock-N-Roll Flashback Medley Part 1: The Knack My Sharona The Go-Gos Weve Got The Beat Modem English Melt With You Devo Whip It The Romantics What I Like About You John Mellancamp R. Gap Band DJ Sergs AV8 Megamix: Crooklyn Clan The Franklinz Crooklyn Clan Lets Get Ill Fatman Scoop feat. Fatman Scoop Drop Vol.15The Halloween Megamix: Michael Jackson Thriller Armand van Helden Boogie Monster Bobby Pickett Monster Mash Guissepe D Halloween 2001The Haunted House Of X: Lenny B Nightmare On 3rd Street N-Joi Bad Things The Christmas Megamix: Deck The Halls The Little Drummer Boy Do You Hear What I Hear Joy To The World New Years Eve DJ Toolkit: Auld Lang Syne With 60 Second Intro Lenny B Auld Lang Syne Whitney Houston Heartbreak Hotel Whitney Houston Its Not Right (But Its OK)Faith Evans Mesmerized Elvis Crespo Suavemente Auld Lang: Auld Lang Syne (Euro Mix) With 10 Second Countdown Vol.16CD 1: The 96-97 Urban Rewind Medley: Missy Elliot Suppa Duppa Fly Notorious B. Hypnotize Mariah Carey Honey Robyn Do You Know (What It Takes)Notorious B. Look Good Ice Cube Check Yo Self Old To The New School Hip-Hip Megamix: Notorious B. Mo Money Mo Problems Foxy Brown Big Bad Mama Puff Daddy & Faith Evan Ill Be Missing You The Dudley T-Stop Mix: Cypress Hill Insane In The Brain Johnny P. Sucker Mcs Lil Kim, Missy & Angie Martinez Ladies Night Will Smith Men In Black Patrice Rushen Forget Me Nots25 Years Of Run-DMC Megamix: Run D. Its Like That CD 2: Old School Hip-Hop Megamix: Fat Boys Human Beat Box Whodini Friends Eric B. Slick Rick The Show UTFO Roxanne, Roxanne The Real Roxanne The Real Roxanne Slick Rick Mona Lisa Sugar Hill Gang 8th Wonder Roonie Gs 96 R&B Megamix: Toni Braxton Youre Makin Me High Aaliyah If Your Girl Only Knew112 Only You NAS If I Ruled The World LL Cool J Doin It Busta Rhymes Woo Hah (Got You In Check)Puff Daddy Cant Nobody Hold Me Down MC Lyte Cold Rock A Party Urbans Most Wanted Old School Throwdown: LL Cool J I Cant Live Without My Radio LL Cool J Rock The Bells Audio Two Top BillinRun D. You Spin Me Round (Like A Record)Kevin Rudolf Let It Rock vs. Peter Piper Slick Rick Mona Lisa Slick Rick Childrens Story Eric B. Fatman Scoop Let Me Clear My Throat The X-Treme Hip-Hop Mix: House Of Pain Jump Around Fu-Schnickens La Schmoove Pete Rock & CL Smooth T. C The Slide Man Cha Cha Slide Rednex Cotton Eye Joe The Essential Mash-Up Megamix: T-Pain vs. Back That Azz Up Low Lollipop Black Eyed Peas vs. You Spin Me Round (Like A Record)Britney Spears If You Seek Amy vs. Jimmy Buffett Five Oclock Somewhere Big Citys Line Dance Megamix: Los Del Rio Macarena Marcia Griffiths Electric Boogie Mr. You Shook Me All Night Long & More Than A Feeling Flo- Rida Right Round vs. Glamorous & Time After Time Mobile Madness Part 2: Tone Loc Wild Thing Salt-N-Pepa Push It Nice N Wild Diamond Girl Vol.19The Beach Party Megamix: Jan & Dean Fun Fun Fun The Beach Boys Surfin USADick Dale & His Del-Tones Misirlou The Beach Boys Surfin Safari The Surfaris Wipe Out The Beach Boys Good Vibrations Jan & Dean Surf City The Beach Boys I Get Around90s Backspin Bomb: Blackstreet No Diggity Timbaland & Magoo Luv 2 Luv U112 feat. Break Your Heart Usher DJ Got Us Failin In Love vs. Armand s Buddah Baboons Megamix: Armand van Helden Hey Yah Hey Armand van Helden Word Up Doc Armand van Helden Hot Butter Armand van Helden Stick Em Vol.17Country Boozin Megamix: Garth Brooks Friends In Low Places Toby Keith I Love This Bar Jimmy Buffett Why Don t We Get Drunk Alan Jackson feat. Better Off Alone Forever The Hoedown Throwdown Megamix: Big & Rich Save A Horse, Ride A Cowboy Trace Adkins Honkey Tonk Badonkadonk Billy Ray Cyrus Achy Breaky Heart Tim Mc Graw I Like It, I Love It Brooks & Dunn Boot Scootin Boogie Alan Jackson Chattahoochie The Grease Megamix: John Travolta & Olivia Newton-John Youre The One That I Want John Travolta Greased LightninJohn Travolta & Olivia Newton-John Summer Nights Frankie Valli Grease (Reprise)Vol.18Essential Motown Megamix Part 1: The Temptations Aint Too Proud To Beg Martha & The Vandellas Dancin In The Street Four Tops I Cant Help Myself (Sugar Pie, Honey Bunch)Marvin Gaye & Tammi Terrell Aint No Mountain High Enough Stevie Wonder Uptight (Everythings Alright)The Contours Do You Love Me Michael Jackson King Of Pop Megamix: Michael Jackson Don t Stop Til You Get Enough Michael Jackson Smooth Criminal Michael Jackson Billie Jean Michael Jackson Thriller Michael Jackson Wanna Be Startin SomethinMichael Jackson P. Somebodys Watching Me & Dont Stop Believing Black Eyed Peas I Gotta Feeling vs. Just Dance In My Head Jason Derulo In My Head vs. Michael Jackson Beat It Bar Stool Rock Megamix: Red Hot Chili Peppers Dani California Kid Rock All Summer Long Buckcherry Crazy Bitch Finger Eleven Paralyzer Franz Ferdinand Take Me Out The Killers Somebody Told Me The Essential Mash-Up Megamix Part 2: Lady Gaga Just Dance vs. & Ma$e Only You (Remix)Next Too Close Mark Morrison Return Of The Mack Montell Jordan This Is How We Do It Fatman Scoop Be Faithful The Essential Mash-Up Megamix Part 3: Taio Cruz Dynamite vs. Love At First Sight The Rock Anthem Megamix: Def Leppard Pour Some Sugar On Me Joan Jett & The Blackhearts I Love Rock N Roll Journey Don t Stop Believing Bon Jovi Livin On A Prayer Guns N Roses Sweet Child O Mine Eddie Money Take Me Home Tonight Latin House Of X: Ralphi Rosario Brinca Armand van Helden Cha Cha C C Music Factory Robi-Robs Boriqua Anthem Sueno Latino Visciosa Vol.20Rockin Sock Hop Medley: Ritchie Valens La Bamba Sam The Sham & The Pharoahs Wooly Bully Chubby Checker The Twist Del Shannon Runaway Dion Runaround Sue The Champs Tequila Little Richard Tutti Frutti Elvis Presley Blue Suede Shoes The Rascals Good LovinThe New Jack Throwback: Tony! It Feels Good Bel Biv Devoe Poison Boyz II Men Motownphilly Johnny Gill Rub You The Right Way Kid N Play Aint Gonna Hurt Nobody Heavy D & The Boyz Is It Good To You Bobby Brown Humpin Around The Essential Mash-Up Megamix Part 4: Adele Rolling In The Deep vs. Club Cant Handle Me Maroon 5 Moves Like Jagger vs. When Love Takes Over The Booty Bass-Quake Megamix: Sir Mix-A-Lot Baby Got Back Ghost Town DJs My Boo2 Live Crew Hoochie Mama Freak Nasty Da Dip Deuce Daisy Dukes69 Boyz Tootsee Roll DJ Taz Thats Right Playa Poncho & L.
Comprehensive Index To All The Important Lists Published In Rolling Stone Since Fuck Wit Dre Day (And Everybody's Celebratin') (ft. Rat-Tat-Tat-Tat - Snoop Dogg, BJ "Tha Mocking Bird", RBX 10. Lil Malik aka Lil Hershey Loc) * G'z Up Hoes Down Speak On It Monay (ft. Defari, Xzibit, Knoc-Turn'al, Timb Bomb, King Tee, Hittman & Kokane) 18.
Feat. Dr. Dre, Snoop Dogg, Nate Dogg. The Marshall Mathers LP is the eighth studio. and the return of his Slim Shady alterego. One of the most.